Vlogishness 21JAN2017

I have been doing a lot of different stuff. Lately, I have been focusing more on realism than I ever really have. My schedule is something to the effect of in the studio with coffee and the butter thieving dog every morning by 4 or so. I do ten 1 minute figure gestures and then I do at least a 10 minute sketch (sometimes longer) of a random toy pulled out of a bag and then walk 2 miles. Mondays, I broadcast and edit a little. Tuesdays I go out to figure drawing group if I can. Wednesdays I watercolor a face from my Facebook friend’s profile pics. Thursdays I paint a mini sunset on the back of a playing card. Fridays I vlog and play guitar. Saturdays I edit and paint big. Sundays I edit and write. Then, i cap each day off (except for Tuesdays) with ten more 1 minute gestures, five 2 minute gestures, two 5 minute sketches, one 10 minute sketch, and one 20 minute figure. Do I do this every day? That is the plan. Then there’s life. Basketball and soccer practice ran long or impromptu teacher meetings for my beautiful, young bride mess up the schedule. Dining out or making a mad dash to OK to see family or even just not being able to keep my eyes open sometimes trip up the schedule too. The other day, I actually dozed off sketching a nude internet model. I’m just glad it wasn’t a live event. When you get tripped up, especially if you’ve committed to a group to do this particular art every day, it’s easy to say, “I’ll do two tomorrow.”

Except you will still be tired tomorrow. I promise. And when you think about sitting down to do it, you may begin to think about how you need to make one up. Thinking about having to do two, especially if it’s the last thing you do in the evening before going to bed, can wear you out to the point where you just can’t bring yourself to do it. Then you’ll owe three. Or you will skip one and it will just continue to wear on you that you owe yourself or your group one more. Then it becomes easy to say, “Well, I can’t make the deadline so there’s no point.”

Pick up your pencil/brush/chisel/feather and art. Forget about “owing” one. If anyone calls you on it, tell them either you’ll get to it or you won’t. Don’t let that weigh you down. If you forget TWENTY or THREE HUNDRED, pick up and drive on. I don’t even want you to think about “Doing better next time”. If you do it at all, you have lapped the ones standing still.

I kind of rant on that here at the You Tube: https://www.youtube.com/watch?v=ok23PqvOn1w

Free $2 Tutorial – Value Scales

This week, we did a quick down and dirty on monochrome value scales.

You can watch this week’s lesson on the YouTube here: https://www.youtube.com/watch?v=tPbizb8mB2A

The Lesson:

A value scale shows how the paint will react with a tint and shade, as well as show the amount of tint and shade needed to attain specific values. For instance, in our video we find that Pink is not half red and half white because the red is too bold for that. It takes a lot of white to lighten a red, but not so much the other way around. Also, on the shade side I discovered that as I thinned the shaded red, it changed to a “purpley” color. Is that because there is blue in my red or because there is blue in my black or both?

Draw a grid. Fill the middle of the top row with your Hue (color). In our case, we chose red. To the Tint (white) side try mixing them 4:1, 3:2, 2:3 and 1:4. Do the same on the Shade (black) side. When you have your results, try thinning them with water or acrylic medium, again 4:1, 3:2, 2:3, and 1:4. If you have three or four different brands of paint around, try it within the different brands, and then again by shuffling them. Be sure and label each chart with the brand and hue of the paint so you can get that color again.